A gigantic brick-built Thanos presides over LEGOOpens in a new tab‘s Comic-Con booth, but we certainly hope half the sets on display don’t disappear. (Though it’d be nice if the pieces we step on while barefootOpens in a new tab would simply vaporize into dust sometimes.) LEGO has a lot of licensed products on the way and on display, but their own movie star Unikitty dominates the new offerings, both in The LEGO Movie 2Opens in a new tab as a Battle Cat-like “Ultrakatty”…
…and, for those who prefer the original pink and cute version, a sub-line based on her TV cartoon.
It’s safe to say there’s really a Unikitty for every mood. Even if that mood is “chocolate cake.” (And when isn’t that our mood, if you think about it?)
LEGO let the Harry PotterOpens in a new tab license go on hiatus for a bit, but with the new Fantastic Beasts movie tying directly into Hogwarts, they’re leaning back into the whole Wizarding World again.
A new Hogwarts express and train platform is a highlight of this.
And Harry’s not the only one with a new train.
Yes, now you can execute SoloOpens in a new tab‘s big heist, on the tracks and in the air.
But for those of you who prefer Han’s kid, and his will-they-won’t-they dance with Rey, LEGO knows what you want, and you can say hello to ReyloOpens in a new tab…
Nice goblet there, Supreme Leader.
Of course, the talk of the con is AquamanOpens in a new tab, and LEGO has a piece–several pieces, in fact–of him too.
If you like him less beardy, one of their con exclusive sets features a more classic look…
…while another offers Ant-Man and the Wasp…
…and finally, a properly scaled Millennium Falcon cockpit for four.
LEGO also handed out exclusive minifigs: while they don’t do full sets at retail based on Deadpool (too mature-themed overall) or CW superhero shows (not quite as toyetic as the DC movies), conventions offer a chance to go a bit further afield. Plus, of course, Unikitty again, just because.
Which new LEGO sets strike your fancy? Which Unikitty is the most “you”? Let us know in comments.
Images: Luke Y. Thompson
