AVENGERS: ENDGAME Is the Ending We All Deserve (Spoiler Free Review)
Kyle Anderson
HELLBOY Brings the Beloved Comics to Life (Mostly)
SHAZAM Is Pure Superhero Movie Joy (Review)
OUT OF BLUE Strives for Cosmic Understanding (Review)
FOR A FEW DOLLARS MORE is the Best Western Ever Made
Miyazaki's NAUSICAÄ is the Best Anime We Never Talk About
AUDITION is Still Disturbing After 20 Years
THE HOLE IN THE GROUND Is a Taut Little Irish Nightmare (Review)
ALITA: BATTLE ANGEL Has Action to Spare, Cliches Galore (Review)
Netflix's POLAR Wants To Be JOHN WICK But It Profoundly Isn't (Review)
Celebrating the Non-Horror Work of Mario Bava
GLASS Is Sadly Quite Breakable (Review)
Giallo Is the Horror Subgenre You Need to Explore
SPIDER-MAN: INTO THE SPIDER-VERSE Is Pure Pop Art Joy
Breaking Down One of the Scariest Scenes in Horror
SUSPIRIA's Crazy Ending Explained
All the Differences Between the New SUSPIRIA and the Original
CREEPSHOW is One of the Most Important Horror Movies Ever
BOHEMIAN RHAPSODY Captures the Majesty of Queen
LITTLE NEMO Is a Gorgeous Kids' Fantasy of Pure Terror
THE WATCHER IN THE WOODS Is the Scary, Weird Disney Movie Everyone Needs to See
APOSTLE Is Folk Horror of the Strangest, Goriest Order (Review)
ALL THE COLORS OF THE DARK Is Euro-Gothic at Its Absolute Trippiest
A RAGGEDY ANN Movie Gave Me Nightmares
WIDOWS Is a Heist Movie for Troubling Times (Review)
SHADOW Is a Bloody, Beautiful Battle of Balance (Beyond Fest Review)
WOLFMAN'S GOT NARDS Celebrates THE MONSTER SQUAD's Outsiders (Beyond Fest Review)
VENOM Succeeds at Being a Movie About Venom (Review)
SOMETHING WICKED THIS WAY COMES Was Way Too Scary for Kids
BAD TIMES AT THE EL ROYALE Review
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