DOCTOR SLEEP Shines When it Goes Its Own Way (Review)
Kyle Anderson
The Best Horror Blu-rays Hitting Shelves This October
The Horror Hero Glory of Character Actor Tom Atkins
The Social Relevance of LIVING DEAD AT MANCHESTER MORGUE
GEMINI MAN is an Action Movie for Fans of Will Smith and Motion Smoothing
All Hail DOLEMITE IS MY NAME, One of the Year's Best
GIRL ON THE THIRD FLOOR Is a Cautionary Tale for Stupid Men
Understanding 50 Years of SCOOBY-DOO
COLOR OUT OF SPACE Brings Lovecraft's Nightmare to Life (Beyond Fest Review)
HELLRAISER I and II Are Hellishly Perfect
THE LIGHTHOUSE is Mesmerizing, Darkly Funny Madness (Review)
IT CHAPTER TWO Nearly Bites Off Too Much (Review)
ONCE UPON A TIME IN HOLLYWOOD Defies All Expectations (Review)
How ALPHAVILLE Gave Us BLADE RUNNER and THE MATRIX
Appreciating DEAD OF NIGHT, the Birth of the Horror Anthology
SPACE: 1999 Bridged the Gap from TREK to WARS
ZARDOZ is the Most Insane Must-See Cult Classic
YESTERDAY Thinks We Forgot the Beatles Were Great (Review)
CHILD'S PLAY Is a Gory Satire That Mostly Works (Review)
MIDSOMMAR and the Tradition of Folk Horror
THE DEAD DON'T DIE is Rapturously Weird (Review)
GODZILLA: KING OF THE MONSTERS is an All-Monster Attack (Review)
SWAMP THING Is a Body Horror Mystery of the Highest Order (Review)
PRINCESS MONONOKE Might be Miyazaki's Angriest Film
Jackie Chan's POLICE STORY Is a Perfect Action Comedy
AVENGERS: ENDGAME Is the Ending We All Deserve (Spoiler Free Review)
HELLBOY Brings the Beloved Comics to Life (Mostly)
SHAZAM Is Pure Superhero Movie Joy (Review)
OUT OF BLUE Strives for Cosmic Understanding (Review)
FOR A FEW DOLLARS MORE is the Best Western Ever Made
