OPPENHEIMER Is Returning to IMAX Screens in 70mm

Catching movies on IMAX screens can be tough. Often, there’s a limited window and many movie-goers vying for the same seats. This was especially true of watching Christopher Nolan’s Oppenheimer on IMAX screens in 70mm. Oppenheimer was specially filmed to be viewed in this format, but getting seats to the screenings proved tough. In some theaters, they sold out for the entire run. But in a rare turn of events, Oppenheimer is actually making its way back to IMAX screens in select global theaters. So, if you missed your chance to view the movie in its most desirable format the first time, you have another shot.

cillian Murphy in a hat with a cigarette dangling from hhis mouth in Oppenheimer
Universal Pictures

The Hollywood Reporter shares that “six IMAX 70mm film projections locations worldwide” will screen Oppenheimer in November for one additional week. These IMAX Oppenheimer screenings will begin on November 3. Location-wise, four IMAX theaters in the United States, located in NYC and California, will screen the movie. Oppenheimer will also run in 70mm IMAX in London, and in Melbourne, Australia. If you visit the website for your local IMAX theater, for example, AMC Lincoln Square 13 in NYC, you can see that the tickets for the Christopher Nolan movie on IMAX 70mm are now available.

The Hollywood Reporter additionally shares, “Oppenheimer was shot by cinematographer Hoyte van Hoytema using Imax cameras and a combination of Imax 65mm and 65mm large-format film. That included the use of IMAX black and white analog photography.” In short, don’t miss the movie’s limited return to cinema’s biggest screen. This could be the last time Oppenheimer screens in this specific way.

Cillian Murphy and Matt Damon look upset and worried in Oppenheimer.
Universal

Now we just need to somehow convince IMAX to do a double-feature screening of Barbie and Oppenheimer so that we can relive the summer in full. It certainly would make for a visual cinematic feast well worth witnessing.

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