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Scott Weinberg

I write about fun things! (Mostly movies.)
DAVE MADE A MAZE Is Like a DIY LABYRINTH for Adults (Review)

DAVE MADE A MAZE Is Like a DIY LABYRINTH for Adults (Review)

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GOON: LAST OF THE ENFORCERS (review)

GOON: LAST OF THE ENFORCERS (review)

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Movie Music Magic Casts a Spell in SCORE: A FILM MUSIC DOCUMENTARY (Review)

Movie Music Magic Casts a Spell in SCORE: A FILM MUSIC DOCUMENTARY (Review)

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OKJA is a Masterful Blend of Sweet, Salty, and Satirical (Review)

OKJA is a Masterful Blend of Sweet, Salty, and Satirical (Review)

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IT COMES AT NIGHT (Review)

IT COMES AT NIGHT (Review)

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KEDI is Like a Feature-Length Cat Video—Only Better! (Review)

KEDI is Like a Feature-Length Cat Video—Only Better! (Review)

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Evil Invades an Australian Neighborhood in HOUNDS OF LOVE (Review)

Evil Invades an Australian Neighborhood in HOUNDS OF LOVE (Review)

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Grief Battles Faith in the Resoundingly Creepy A DARK SONG (Review)

Grief Battles Faith in the Resoundingly Creepy A DARK SONG (Review)

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Two Brothers (Unwisely) Revisit an Old Cult in THE ENDLESS (Tribeca FF Review)

Two Brothers (Unwisely) Revisit an Old Cult in THE ENDLESS (Tribeca FF Review)

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FIVE CAME BACK Shines a Fascinating Light on Five Heroic Filmmakers (REVIEW)

FIVE CAME BACK Shines a Fascinating Light on Five Heroic Filmmakers (REVIEW)

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Kidnapping Turns to Carnage in THE HOUSE ON WILLOW STREET (Review)

Kidnapping Turns to Carnage in THE HOUSE ON WILLOW STREET (Review)

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Genre Past and Present Collide Blissfully in Brilliant THE LOVE WITCH (Review)

Genre Past and Present Collide Blissfully in Brilliant THE LOVE WITCH (Review)

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MAYHEM Reveals the Gorier Side of Office Politics (SXSW Review)

MAYHEM Reveals the Gorier Side of Office Politics (SXSW Review)

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Horror Import PREVENGE Marks the Arrival of One Bad Mother (Review)

Horror Import PREVENGE Marks the Arrival of One Bad Mother (Review)

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Stake Land II is Another Slice of Post-Apocalyptic Vampire Horror (review)

Stake Land II is Another Slice of Post-Apocalyptic Vampire Horror (review)

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Katee Sackhoff Takes on a British Witch in DON'T KNOCK TWICE (Review)

Katee Sackhoff Takes on a British Witch in DON'T KNOCK TWICE (Review)

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Sobering Facts Collide with Creepy Fiction in HBO's Beware the Slenderman (Review)

Sobering Facts Collide with Creepy Fiction in HBO's Beware the Slenderman (Review)

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RESIDENT EVIL: THE FINAL CHAPTER Shuts the Franchise Down with a Bang (Review)

RESIDENT EVIL: THE FINAL CHAPTER Shuts the Franchise Down with a Bang (Review)

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DEATH RACE 2050 is Old-School B-Movie Cheese at its Ripest (Review)

DEATH RACE 2050 is Old-School B-Movie Cheese at its Ripest (Review)

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UNDERWORLD: BLOOD WARS (Review)

UNDERWORLD: BLOOD WARS (Review)

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SPECTRAL Is Not Based on a Video Game, but It Sure Feels Like It (Review)

SPECTRAL Is Not Based on a Video Game, but It Sure Feels Like It (Review)

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OUIJA: ORIGIN OF EVIL Is a Surprisingly Dynamic Horror Period Piece (Review)

OUIJA: ORIGIN OF EVIL Is a Surprisingly Dynamic Horror Period Piece (Review)

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COLOSSAL Melds Kaiju Disasters with Indie Rom-Coms (Review)

COLOSSAL Melds Kaiju Disasters with Indie Rom-Coms (Review)

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BEFORE I WAKE Might Be One of This Year’s Best Horror Films (review)

BEFORE I WAKE Might Be One of This Year’s Best Horror Films (review)

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