Whether it was intentional or not (we’re looking at you, Revolution), 2012 is indisputably the year of the bow and arrow. With everyone from Katniss Everdeen to Jeremy “Hawkeye” Renner taking aim against evil, it’s clearly something that resonates with audiences. The latest marksman to grace our fair screens is no stranger to comic book fans – the Green Arrow. Fans of Mike Grell’s iconic “The Longbow Hunters” arc and the tone of Christopher Nolan’s Batman Begins should mark your calendars, because this Wednesday is the start of Arrow, The CW’s dark, gritty take on the DC comics character’s tale. Like the journalistic Deathstroke that I am, I tracked down stars Stephen Amell (“Oliver Queen”) and Katie Cassidy (“Dinah Lance”) and producers David Nutter, Marc Guggenheim and Andrew Kreisberg to talk about this new incarnation of Green Arrow, the innate appeal of a bow-wielding vigilante, and why Legolas needs a few more remedial archery lessons.
Nerdist: Between Katniss Everdeen, Hawkeye and now Green Arrow, this is very much the Year of the Archer. What is the appeal of this bow-and-arrow-wielding hero?
Stephen Amell: Don’t forget about the girl from Brave. [laughs] I don’t know. Maybe it’s a happy accident, maybe it’s an Olympic thing. I think it’s partially a coincidence, but it’s cool, man. Archery is an interesting activity. I enjoy it because it forces you to relax certain parts of your body that you’re almost always tense with. It was a fun skill at which to get good. I want to be good at it. The idea was that the best most expedient way to look like an expert archer… was to become one. [laughs]
Andrew Kreisberg: I think there’s only so many ways to shoot somebody with a gun. We’ve seen that before. There’s something about the skill and precision it requires to let loose arrows on people. It’s very seductive. Like I said, anyone can shoot a gun, but watching Oliver get out of a situation with just a quiver full of arrows is exciting.
Marc Guggenheim: The thing about the zeitgeist is that sometimes there’s no rhyme of reason to it. When we started developing Arrow over a year ago, we weren’t looking ahead to say, “Oh, there’s this Pixar movie, there’s Hunger Games, etc.” You can get philosophical and say it’s the Jungian collective of consciousness, there’s the Olympics as well, but I really can’t account for it. There’s just something in the water. I don’t think any of these projects were developed in reaction to the other projects. It was just a weird zeitgeisty thing that happens sometimes.
N: Stephen, how long have you had to train for this series and, in regards to the stunts and physical sequences, how much of that is actually you?
SA: It’s me as long as they’ll let me. There are insurance considerations, y’know? During the pilot, which filmed in 2011, the star randomly sprained her ankle and it cost the production millions. I had a good four weeks of intense training – three weeks of archery training – which laid a good foundation. As the series goes on – you’ll see – it’s a very different animal than the pilot, so I think I’ll be in good shape.
N: What was one of the most surprising things you learned about archery while training?
SA: [laughs] Professional archers hate Orlando Bloom. They hate him! They refer to bad archery – like they sometimes show on TV or in movies – as Legolas-ing.
N: Wait, seriously?
SA: Yes! When he goes to release an arrow he’s drawn back, he releases his hand with this huge flourish, which would totally mess up the shot. It makes it look like he has no idea what he’s doing; in reality, it’s much more subtle. [he mimes drawing an arrow back on his bow] You just pull back…and release. [he lets go of the imaginary bow string with a soft touch] Simple as that.
N: Katie, you’re playing DC’s sultry siren Dinah Laurel Lance (a.k.a. Black Canary); how familiar were you with the world of Green Arrow before signing on to the project?
Katie Cassidy: I’ll be honest with you – I wasn’t, but obviously after reading it and getting the role, I was beyond excited.
N: Would you consider yourself a geek? Is there something about genre pieces in particular that attract you or is it more of a specific role?
KC: It’s a little bit of both. I was really excited that this was based on the comic book. I grew up playing video games and computer games, so I was a little bit of a nerd. [laughs] As for other genre pieces, I actually just shot a movie called The Scribbler. Ironically, that character was what drew me to the project, which was also based on a graphic novel, so I guess I do find myself attracted to these sort of projects.
N: This is a much darker, edgier take on the story of Green Arrow. What can you tell us about that?
AK: Yeah, we actually have a line in the pilot script where Oliver breaks a guy’s neck and it says, “Now you know, this is not your father’s Green Arrow.” [laughs] That was sort of our mantra on the pilot; we always set out to do something dark and more grounded with the character that hadn’t been done before.
David Nutter: If you do something bad, you may get killed. This is not the TV version of Green Arrow; this is the adult story of a man who is basically fighting systematic injustice and trying to find his way in the world.
KC: It’s very edgy and dark, but grounded in reality. The audience will be able to relate to these characters. Everything that Oliver has learned – he doesn’t have any special abilities or powers – they’re all things that people could learn, so that makes it more accessible.
N: We understand that you’re trying to avoid using superpowers in the series in order to keep it grounded in reality. What can you tell us about that?
AK: There’s no supervillains or superpowers on the show. No aliens. This is the world of Oliver Queen. But, that doesn’t mean you won’t be seeing a lot of familiar characters from DC; they’ll just be seen in the context of the world we’ve created.
MG: We’re always trying to take a “world outside your window” approach. This is not a show about superheroes; this is a guy taking the law into his own hands like a vigilante. We’re always asking ourselves the question: is this something that could happen in the real world? How do we make this believable? It’s not only “would this happen?” but also “how would the people in this world react to these events?” What would the cops do if they noticed a crimefighter in their midst – put a spotlight on the roof? [laughs] They’re not even all on the same page with calling him the Green Arrow; they’ve got a bunch of different names for him. Their reactions help set the tone for the show because they’re the audience’s reactions. They take their cue from the characters’ reactions. As long as the characters are grounded and realistic, that’s what the audience will take away from the show.
Arrow premieres October 10th at 8/7c on The CW. Are you excited for the show? Let us know in the quemments below!